How the Swastika Became a Nazi Symbol | History Hit

How the Swastika Became a Nazi Symbol

Harry Atkins

12 Jun 2018
A Balinese Hindu shrine
Image Credit: mckaysavage, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0>, via Wikimedia Commons

For many people today, the swastika provokes instant repulsion. Across much of the world it is the ultimate banner for genocide and intolerance, a symbol that became irreparably tarnished the moment it was co-opted by Hitler.

But however strong these associations, it is important to acknowledge that the swastika represented something entirely different for thousands of years before its appropriation by the Nazi party, and that there are many who still consider it a sacred symbol.

Origins and spiritual significance

The history of the swastika is remarkably far-ranging. Versions of the design have been found in prehistoric mammoth ivory carvings, Neolithic Chinese pottery, Bronze Age stone decorations, Egyptian textiles from the Coptic Period and amid the ruins of the Ancient Greek city of Troy.

Its most enduring and spiritually significant use, however, can be seen in India, where the swastika remains an important symbol in Hinduism, Buddhism and Jainism.

Follow the path of Leutnant Friedrich Sander, a Panzer officer in the German Wehrmacht during Operation Barbarossa, the attack on the Soviet Union.
Watch Now

The etymology of the word “swastika” can be traced to three Sanskrit roots: “su” (good), “asti” (exists, there is, to be) and “ka” (make). That the collective meaning of these roots is effectively “making of goodness” or “marker of goodness” shows just how far the Nazis dragged the swastika away from its Hindu association with well-being, prosperity and dharmic auspiciousness.

The symbol, normally with its arms bent towards the left, is also known in Hinduism as the sathio or sauvastika. Hindus mark swastikas on thresholds, doors and the opening pages of account books – anywhere where its power to ward off misfortune might come in handy.

In Buddhism, the symbol has similarly positive connotations and, though its meaning varies among different branches of the Buddhist faith, its value is typically linked to auspiciousness, good fortune and long life. In Tibet, it represents eternity while Buddhist monks in India regard the swastika as “The Seal on Buddha’s Heart”.

The Balinese Hindu pura Goa Lawah entrance. Image credit: Public Domain, via Wikimedia Commons

Because of its very simplicity, early societies were as prone to use the swastika as any other elementary geometric shape, such as a lemniscate or spiral.

However, it was Indian religion and culture that was the original source from which the National Socialists derived the swastika.

Nazi appropriation

Join James this week for a special episode of Warfare, chatting to the writer and cast of the new film 'Munich - the Edge of War'. Set in 1938, the movie follows Chamberlain's attempts to appease Hitler, desperate to avoid another Great War. Joining James is author Robert Harris, along with lead actors George Mackay and Jannis Niewöhner. Together they discuss the historical significance of Chamberlain and Hitler's relationship, Munich's role in contemporary politics, and the pressures of having to learn German in a week. Munich – The Edge of War is in select cinemas now and on Netflix from January 21st 2022.
Listen Now
Before it was adopted by the Nazis, the swastika had already been widely appropriated in the West. In fact, it had become something of a fad. Seized upon as an exotic motif that broadly denoted good luck, the swastika even found its way into commercial design work for Coca Cola and Carlsberg, while the Girls’ Club of America went as far as calling its magazine “Swastika”.

The swastika’s regrettable association with Nazism stems from the emergence of a brand of German nationalism after World War One that strived to piece together a “superior” racial identity. This identity was based on the notion of a shared Greco-Germanic heredity that could be traced back to an Aryan master race.

When the German archaeologist Heinrich Schliemann discovered the remains of the lost city of Troy in 1871, his famous excavation uncovered around 1,800 instances of the swastika, a motif that could also be found amid the archaeological remains of Germanic tribes.

Swastikas on a German World War Two airplane. Image credit: Public Domain, via Wikimedia Commons

German author Ernst Ludwig Kraust later brought the swastika into the political arena of German völkisch nationalism in 1891, also relating it to both Hellenic and Vedic subject matter.

As the distorted concept of Aryanism – previously a linguistic term concerned with connections between German, Romance and Sanskrit languages – began to form the basis of a confused new ethnic identity, the swastika became the symbol of supposed Aryan superiority.

It is widely agreed that Hitler chose the swastika himself as the symbol for the Nazi movement, but it is not known for sure who influenced him in that decision. In Mein Kampf, Adolf Hitler wrote about how his version was based on a design — a swastika set against a black, white and red background — by Dr. Friedrich Krohn, a dentist from Starnberg, who belonged to völkish groups such as the Germanen Order.

Hanna Reitsch and Melitta von Stauffenberg were two talented, courageous, and strikingly attractive women who fought convention to become the only female test pilots in Hitler’s Germany. Both were brilliant pilots, both were great patriots, and both had a strong sense of honour and duty – but in every other respect they could not have been more different.
Watch Now

By the summer of 1920 this design was commonly in use as the official symbol of the Nazional-socialistische Deutsche Arbeiterpartei, Hitler’s Nazi party.

The invention of this bogus identity was central to Hitler’s ideological project. Propelled by this ethnically divisive ideology, the Nazis whipped up a poisonous nationalistic atmosphere in Germany, thus also repurposing the swastika as a symbol of racial hatred. It’s hard to imagine a more cynical – and misrepresentative – act of branding.

This article was co-authored by Graham Land.

Harry Atkins