Following her exploration of the Bronze Age marvels at Uffington and the atmospheric legends of Wayland’s Smithy, the second episode sees Mary-Ann Ochota complete her adventure, heading north through the Avebury World Heritage Site – a landscape so saturated with archaeology that prehistory feels palpable in every step. This is far more than a simple hike; it is a ground-level investigation into the minds of our ancestors, exploring why they spent thousands of hours moving earth and stone to create a landscape dedicated to both the dead and the divine.

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The first architecture: West Kennet Long Barrow

As the Ridgeway winds toward Overton Hill, the landscape undergoes a dramatic transformation. Here, the modern countryside recedes, and every other field seems to reveal a burial mound, an earthwork, or a weathered standing stone. Mary-Ann’s first stop is the West Kennet Long Barrow, a monumental tomb dating back to roughly 3,650 BC. To put its age in perspective, this structure was already over a millennium old by the time the iconic stone circles were raised at Stonehenge.

Mary-Ann Ochota talks to English Heritage Prehistory Curator Dr Jennifer Wexler at West Kennet Long Barrow

Image Credit: History Hit

At 100 metres long and three metres high, it is one of the largest and most impressive long barrows in Britain. Accompanied by English Heritage Prehistory Curator Dr Jennifer Wexler, Mary-Ann ventures deep into the dark, stone-lined interior.

“They’re the first architecture that we have,” Wexler explains, “they’re our first standing monuments.” Archaeologists discovered the remains of 46 individuals here, interred alongside pottery and stone tools. Remarkably, the barrow remained a site of active ritual for over 1,000 years. It was only around 2,000BC that the chambers were ceremonially filled with rubble and the entrance sealed by massive sarsen blocking stones.

Filming inside the West Kennet Long Barrow

Image Credit: History Hit

Thanks to a meticulous reconstruction in the 1950s, it is one again possible to step inside and experience the heavy, silent atmosphere of the tomb just as the barrow’s original Neolithic builders did five millennia ago. 

The mystery of Silbury Hill

Visible from the mouth of the Long Barrow is the enigmatic Silbury Hill. Built in several stages between 2,400 and 2,300 BC, this gargantuan chalk mound is a feat of engineering that continues to baffle experts. Standing nearly 40 metres high, it remains the largest man-made mound in Europe – a structure so vast that the entirety of Stonehenge could almost fit upon its summit.

The folklore surrounding the hill is as tall as the monument itself. Some say the Devil dropped the mound in a fit of rage after a defeat in nearby Marlborough; others believe the golden treasures of King Sil lie buried deep within. However, Dr Wexler explains that modern archaeology has revealed something even more fascinating: the mound contains no central burial or ‘kingly treasure’.

Instead, analysis of the internal layers reveals turf and material brought from across the wider landscape, suggesting Silbury was a massive communal project.  Dr Wexler theorises that its construction may have been a response to a period of “crisis” or rapid change at the end of the Neolithic, as new groups arrived from Europe with revolutionary metal-working technology. Perhaps the mound was a final, monumental effort to honour an old religion or anchor a shifting identity to the land.

Filming near Silbury Hill

Image Credit: History Hit

The Avenue

After a night camping at the Farm at Avebury – where she meets owner Rob Hughes to hear how his family have worked this land for generations – Mary-Ann follows the ancient tracks toward the village of Avebury, via the West Kennet Avenue. In antiquity, this ceremonial corridor was lined with 100 pairs of massive sarsen stones, some weighing upwards of 20 tonnes.

Experts believe these stones were meticulously paired by shape, often categorised as “male” (tall and columnar) and “female” (broad and diamond-shaped). This intentional design likely served to control, impress or even intimidate pilgrims as they progressed toward the sacred centre. Walking between these giants today, one can still feel the intended psychological effect: a sense of being funnelled toward something immense, ancient, and powerful.

Mary-Ann walking through part of the West Kennet Avenue

Image Credit: History Hit

Avebury Henge: megalithic stadium?

The journey reaches its climax at Avebury Henge. Unlike the fenced-off experience of Stonehenge, Avebury remains a living part of the landscape, where visitors are free to walk among and touch the ancient sarsens.

Construction here began around 2,800 BC, with the site evolving through continuous modifications over the next 600 years. The outer great henge spans almost 500 metres in diameter, and in its prime, the chalk bank towered 17 metres above the floor of a steep, deep ditch. Within this large perimeter stood an  outer circle of approximately 100 stones, which in turn enclosed two smaller stone circles containing complex arrangements of stone and timber. 

The Ridgeway’s proximity to Avebury is almost certainly no accident. Mary-Ann meets legendary archaeologist Phil Harding to discuss the colossal human effort required to sculpt this terrain. “You don’t build something like Avebury with a gang of ten people,” Harding notes. “You need masses and masses of labour.”

Mary-Ann Ochota and archaeologist Phil Harding at Avebury

Image Credit: History Hit

While we often view these sites with a sense of somber ritual, Phil and Mary-Ann explore a more vibrant, human theory: that Avebury functioned as a prehistoric “stadium.” With the capacity to hold thousands of people, it likely also served as a social hub – a place for festivals, dancing, and meeting new people from far-flung regions – and a site where the spiritual and the social collided in a magnificent, open-air arena.

Preservation

Phil describes walking the Ridgeway as “not just a walk in the countryside, it’s almost a spiritual thing”. The unique geology of the Wiltshire chalk served as the fuel for this prehistoric explosion of activity. Its well-drained, easily cultivated soil transformed the ridge into a bustling Neolithic highway of the Stone Age.

As Mary-Ann reflects on her trek, she observes that walking the Ridgeway is far more than a physical challenge; it’s an act of historical preservation. By following these ancient tracks, we forge a direct connection to the shelter, the industry, and the spirituality of those who came before us. As she poignantly concludes: “When we walk these ancient ways, we keep them alive.”

Watch Part 2 of Ancient Ways: The Ridgeway now, exclusively on History Hit.

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In the first episode of History Hit’s new documentary series Katherine Howard: Vixen or Victim?, Professor Suzannah Lipscomb sets out to dismantle these caricatures. By visiting the spaces Katherine inhabited – from the drafty corridors of her youth to the glittering galleries of Hampton Court – Suzannah searches for the real woman hidden beneath five centuries of Tudor scandal and myth.

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The ghost in the gallery

The tragedy of Katherine Howard is often synonymous with the “Haunted Gallery” at Hampton Court Palace. Popular lore describes a desperate Queen running toward the Chapel Royal in November 1541, her screams echoing through the corridors as she begged for mercy while guards dragged her away from a husband who had just discovered her past.

While Suzannah reveals that this specific, dramatic dash is likely an apocryphal Victorian invention, she acknowledges why the story persists: it perfectly captures the sheer, visceral horror felt by a young woman whose meteoric rise was met with an equally violent fall. Katherine ascended from a Maid of Honour to a Queen in mere months; just over a year later, she was headed for the block.

Filming in the “Haunted Gallery” at Hampton Court Palace

Image Credit: History Hit

Redefining the ‘child bride’

Episode One reveals a forensic re-examination of Katherine’s age. Traditional narratives often place her birth as late as 1526, making her a mere 14-year-old at the time of her marriage – a ‘child bride’ with little understanding of her situation.

However, Suzannah points to evidence from the French Ambassador, Charles de Marillac, which suggests she was likely born around 1522.

“This revised understanding significantly changes the way we see her,” explains Suzannah. “She was not the child bride that we have in our mind’s eye, in fact she was probably around 18 years old when she married Henry in July 1540” – a young woman with more agency than we often credit her.

Portrait of a Young Woman, c. 1540–45, Workshop of Hans Holbein the Younger

Image Credit: Public Domain / History Hit

Chesworth House: A world of “in-between” spaces

To understand the Queen, we must first understand the girl. In Episode One, Suzannah travels to Chesworth House in Sussex, where, following her mother’s death, Katherine was raised under the guardianship of her step-grandmother, the Dowager Duchess of Norfolk.

In the Tudor era, society believed that parental indulgence was a moral failing, consequently, noble children were often sent to be raised in another aristocratic household to ensure they received the rigorous discipline and social polishing deemed necessary for court life.

Chesworth House

Image Credit: History Hit

The documentary dismantles Victorian myths of a “lax” or “immoral” household, revealing instead the complex reality of Tudor wardship. Suzannah meets historian Dr Nicola Clark who explains how in the Tudor era, social classes mixed with surprising freedom. “The Victorians probably thought that these women and men of lower status are dragging Katherine down to their level, where in fact the evidence does not really suggest that at all” says Nicky. 

At the heart of this was the “Maiden’s Chamber” – a communal space where aristocratic young women shared beds, gossip, and secrets with those of lower social standing. It was in these “in-between” spaces that Katherine entered into relationships with two men: her music teacher, Henry Mannox, and the Duchess’s secretary, Francis Dereham.

• The Mannox Affair (c1536): Often framed as an abuse of power, research suggests her music teacher, Henry Mannox was only five years Katherine’s senior. Crucially, Katherine demonstrated a “head screwed on,” refusing to lose her virginity to a man of his low status despite his pressure.
• The Dereham Contract (1538): Her relationship with the Duchess’s secretary, Francis Dereham, was far more serious, and more widely known within Chesworth House. They referred to each other as husband and wife and engaged in full intercourse – a “pre-contract” that, under Canon Law, could be viewed as a legally binding marriage.

Rather than seeing Katherine as a passive pawn, the evidence reveals a young woman navigating these illicit encounters with a surprising level of command.

Prof Suzannah Lipscomb discusses Katherine Howard’s time at Chesworth House with historian Dr Nicola Clark

Image Credit: History Hit

The “Party Queen” of Hampton Court

By 1539, Katherine’s status as a Howard brought her to court as a Maid of Honour. She quickly broke things off with Dereham, who fled to Ireland heartbroken. At court, Katherine engaged in a flirtatious power play with the charismatic Thomas Culpeper, but the plan backfired; when she held him at arm’s length, he abruptly moved on, leaving her devastated and arguably more infatuated than ever.

However, her arrival was a breath of fresh air for Henry VIII, who found his current wife, Anne of Cleves, physically repulsive. Henry was visibly infatuated, showering Katherine with jewels and public displays of affection. 

Their courtship moved at a breakneck pace, and they married on 28 July 1540 – less than 3 weeks after his previous marriage was annulled. Katherine was probably just 18 years old, Henry was almost 50. As Suzannah points out, “the speed and intensity of Henry’s pursuit of Katherine raises the question of her agency. In what world could a young, noble woman reject the king’s advances, particularly one as strong-willed and powerful as Henry”.

Historian Gareth Russell

Image Credit: History Hit

Historian Gareth Russell joins Suzannah to discuss Katherine’s early successes. Far from a political failure, Katherine was the star attraction of the court. She navigated Tudor politics with careful neutrality, choosing to remain apolitical to avoid the fate of her cousin, Anne Boleyn.

“Doing nothing is a choice,” Russell notes. “Everything she did was a deliberate attempt to be the perfect, apolitical queen consort.”

She even handled the potentially explosive meeting with the divorced Anne of Cleves with extraordinary grace, gifting her puppies and jewellery to signal to foreign ambassadors that the English court was a place of harmony.

The turning point: The Progress North

Episode One culminates with the Great Royal Progress of 1541 – a monumental political and military operation involving 5,000 horses and a mobile court of 200 tents. Designed to project power over the rebellious North, this strategic display of regal authority sought to suppress religious dissent and stabilise the realm ahead of a potential invasion of France. Katherine’s job was to shine at her husband’s side.

At Lincoln Cathedral, Katherine reached the zenith of her power, embodying the perfect image of a pious, loyal Queen. Yet while she played her role flawlessly in the public eye, the ghosts of Chesworth House were beginning to stir. 

Depiction of King Henry VIII on the Royal Progress in 1541.

Image Credit: History Hit

Vixen or victim?

As Episode One concludes, Suzannah leaves us with a woman who was neither a fool nor a mere victim. Katherine Howard was a confident, commanded, and musically talented young woman who understood the social graces of her age. She made choices – for fun and for survival – in a world where the margin for error was zero.

In the next episode, Suzannah explores how Katherine’s past finally collided with her present – and the “Rose Without a Thorn” found herself facing the executioner.

Watch Episode 1 of Katherine Howard: Vixen or Victim? now on History Hit to see Suzannah Lipscomb uncover the real woman behind the Tudor legend. Episode 2 is also available to watch now.

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In the two-part special Ancient Ways: The Ridgeway, anthropologist and keen hiker Mary-Ann Ochota tracks these prehistoric pathways along the Ridgeway – one of England’s oldest routes and a true ‘Stone Age Highway’. Join Mary-Ann as she visits some of the trail’s most iconic landmarks, from the enigmatic Uffington White Horse to the megalithic wonders of Avebury Henge.

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A braid of routes

Five thousand years ago, the Ridgeway wasn’t a single, officially designated path; it was a braid of multiple routes heading roughly in the same direction across the high ground. While the modern Ridgeway National Trail spans 87 miles from Ivinghoe Beacon in Buckinghamshire to Avebury in Wiltshire, the original prehistoric route stretched much further – running from the Wash in Norfolk, southwest all the way to the Dorset coast.

“To understand the past,” Mary-Ann explains, “we need to understand how people moved and why.” The Neolithic people who first used this route – the same builders responsible for Stonehenge – were farmers who raised cattle and sheep. They travelled for trade, pilgrimage, and community events, using the high chalk ridges to stay above the marshy, wooded and often dangerous valleys below.

Production shot – filming on The Ridgeway

This path forms a distinctive white ribbon through the landscape. This chalk was formed 145 to 65 million years ago, in the age of the dinosaurs, when the area sat near the equator under a subtropical sea. Created by the compacted skeletons and shells of ancient sea creatures, this unique geology now supports a rare ecosystem of specialist plants, insects, and birds.

Production shot from The Ridgeway

Uffington: the horse and the hillfort

Mary-Ann begins her journey at Uffington Hill, a site thick with prehistoric treasures. At the summit sits a massive Iron Age hillfort, half a mile in circumference. But the true mystery lies beside it: the Uffington White Horse.

At 111 metres long, this semi-abstract ‘geoglyph’ is the oldest hill figure in Western Europe. National Trust ranger Andy Foley explains that while it looks like a simple chalk drawing, it is actually a complex feat of engineering. Trenches were dug a metre deep, backfilled with chalk rubble, and smoothed off on top.

Scientific dating reveals that the horse’s deepest layers are at least 2,500 to 3,000 years old. Created at the dawn of the Iron Age – coinciding with the introduction of domesticated horses to Britain – the figure was likely a tribal statement of status and power. Remarkably, the figure only remains visible because it has been scoured and cared for by the local community for three millennia. Andy suggests that the horse’s specific placement may indicate its care was initially connected to religion.

Mary-Ann Ochota with National Trust ranger Andy Foley at the Uffington White Horse

Image Credit: History Hit

Wayland’s Smithy

Walking west, Mary-Ann reaches Wayland’s Smithy, a burial chamber nearly 2,000 years older than the White Horse. This megalithic monument, dating to roughly 3,400 BC, is a ‘Cotswold-Severn’ type barrow, consisting of a stone edifice, an earthen mound over 100 metres long, containing a central passage with chambers inside to bury the dead.

Although seeming quite a straightforward burial site, archaeology reveals a complex history: a smaller timber-and-earth burial site existed here first. A century later, as farmers claimed territory more permanently, they constructed longer-lasting monuments to house the dead, including the massive stone edifice seen today. Curiously, historians believe the design was already ‘old-fashioned’ when it was built, suggesting the builders were attempting to claim a deep, ancestral association with the land to legitimise their presence.

Production shot of Mary-Ann Ochota filming at Wayland’s Smithy

Image Credit: History Hit

The site is steeped in Saxon legend. Historian and storyteller Jason Buck explains that the name comes from Wayland, the Germanic smith of the gods. Legend says that if you leave your horse here with a coin, the invisible smith will have it shod by morning.

Production shot – Mary-Ann Ochota shares a cuppa with historian and storyteller Jason Buck as she sets up camp for the night

Image Credit: History Hit

The Neolithic toolkit

After a night in a tent, Mary-Ann’s journey continues from Hackpen Hill to Fyfield Down, where she uncovers the reality of prehistoric industry. Though they lacked metalworking, people at this time were using stone tools, flint tools, leather, bone, antler, and natural textiles. As Mary-Ann explains, stone tools weren’t just bashing two rocks together, “they were really sophisticated craftspeople. They really understood their materials.” 

In the Neolithic period (4,500 BC to 2,300 BC), stone axes were one of the key components in their toolkit – the ‘Swiss Army Knives’ of the age. While flint axes were used for everyday timber work, ‘posh’ versions of axes made from carefully chosen polished volcanic and sedimentary stones were symbols of elite status. These were either ground into shape or, in the case of flint and chert, fashioned through ‘knapping’ – a precise process of striking the stone to chip away the edges. To achieve a mirror-like, glass-smooth finish, craftsmen would rub the piece against abrasive sarsen stones for days or even years to get it perfectly polished. 

Remarkably, these stones weren’t local; analysis shows that rough-cut blocks for polished axes were quarried across the UK – from the Lake District to Cornwall, even as far as Northern Ireland – and traded along the Ridgeway.

‘Polisher stone’ at Fyfield Down

Image Credit: History Hit

Mary-Ann visits a ‘polisher stone’ at Fyfield Down – a sarsen boulder featuring deep, smooth grooves used to create, sharpen and shape the edges of the axe. These marks were created by humans sitting for hundreds of hours, grinding stone axe heads against the rock using wet sand to achieve a mirror-like finish. Standing by the stone, one can almost feel the presence of the craftsmen who laboured here 5,000 years ago. It’s unknown why this particular sarsen stone was chosen above the others for this purpose, but it is seen as a treasure of the Neolithic age.

Watch Episode 1 of Ancient Ways: The Ridgeway on History Hit to join Mary-Ann Ochota on this incredible trek through time and learn more about these ancient landmarks.

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By examining the camp’s surviving structures, Dr Bulgin reveals how mass murder was organised, refined, and expanded over time. Joined by historians and experts, he reinforces a vital truth: Auschwitz was not a static symbol of evil, but a site that evolved through deliberate human decisions, administrative structures, and mechanical systems.

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“The access to people and places secured by History Hit was genuinely revelatory,” says Dr Bulgin. “Walking around spaces inaccessible to the general public that have been left as they were since the end of the war offered an unfiltered authenticity which was both sobering and eerily elucidating”.

Dan Snow, founder and creative director of History Hit, added: “What we’ve managed to achieve in this documentary, alongside James, is truly groundbreaking”. “These locations aren’t just places on a map; they are the silent witnesses to one of the darkest chapters of human history”.

From Krakow’s streets to Auschwitz’s gates

Dr Bulgin begins in Krakow, viewing one of only two remaining sections of the Ghetto wall. Established in March 1941, the wall featured rounded tops, a cruel reference to Jewish tombstones, signalling the fate intended for the 20,000 people trapped within.

James talks to historian Dr Alicja Jarkowska, who explains that Auschwitz was not chosen at random. Its proximity to Krakow and its rail links made it ideal for the Nazi vision of Lebensraum – a racial empire where occupied Poland would be cleared of many of its inhabitants to secure Germany’s future.

One of only two remaining sections of the Krakow ghetto (established in March 1941, and liquidated in March 1943).

Image Credit: History Hit

From concentration to extermination

James meets with guide and Auschwitz Educator Agata Miodowska, who explains that the first prisoners were German (30 in total), who were later made to guard the first 728 Polish political prisoners that arrived in June 1940 – considered the start date of the functioning of the camp. At this stage, Auschwitz I was a modest site of 20 single-story brick buildings, – a brutal labor camp, but not yet an extermination centre. However, the system of terror was already being codified.

James is granted rare access to Block 3, preserved almost exactly as it was upon liberation 80 years ago. Viewing the cramped bunk-beds, he notes how “Frozen in time, Block 3 provides a chilling snapshot of daily life in Auschwitz”. Inside, researchers made a terrifying discovery: blue staining on the walls. Initially, Zyklon B (a hydrogen cyanide pesticide) was used here to disinfect clothing. James observes: “The blue stains mark a chilling stage – actual traces of the chemical that would be used to kill hundreds of thousands.”

The blue staining on the walls is evidence of Zyklon B (a hydrogen cyanide pesticide) – initially used in this room to disinfect clothing.

Image Credit: History Hit

The transition to mass murder occurred nearby in Block 11, the penal barracks. In September 1941, the Nazis conducted their first experiments using Zyklon B on 850 Soviet and Polish prisoners. The experiment proved the chemical’s lethality but highlighted logistical “failures” – the small rooms took too long to ventilate. The lesson was purely technical: the Nazis needed a purpose-built, large-scale facility – leading to the construction of the first permanent gas chamber.

“It should come as no surprise that Auschwitz retains all of its ability to shock and horrify, but there’s something about this block in particular that is appalling. Not just because of the terrible suffering that those who were sent here were subject to, but because of the significance of what happened underneath my feet in this place”.

– Dr James Bulgin

The industrialisation of death at Birkenau

From 1941 onwards, Auschwitz entered a phase of rapid and deliberate expansion. By 1942, the centre of gravity shifted 3km away to Birkenau (Auschwitz II). Between March and June 1943, four massive gas chambers were brought into operation, each capable of killing 2,000 people at a time. As James points out, in a cruel twist, the Nazis forced the Sonderkommandos (Jewish prisoners) to operate these facilities.

Dr Bulgin examines the ‘Auschwitz Sketchbook’ – 22 drawings made by an anonymous prisoner, the only known illustrations created inside the camp depicting the extermination process. They show a site in constant flux, an engineering project designed to process 1.1 million victims. James notes a chilling paradox: the sheer volume of victims eventually overwhelmed even this industrialised machine, forcing the Sonderkommandos to cremate bodies on open-air pyres when the furnaces could no longer keep pace.

The perpetrators and the myth of ignorance

The documentary confronts the “normality” of the killers. Commandant Rudolf Höss lived with his family in ‘House 88’, within sight of the crematoria. From the upstairs windows, the killing zone was clearly visible.

Jacek Purski, Director at House 88, explains that the Höss family’s proximity to the gas chambers demonstrates a high level of ideological radicalisation. Höss was a professional criminal and a “graduate” of the SS structure at Dachau; he was not an accidental participant, but a prepared operative.

View of Auschwitz 1 from one of the windows at the house Auschwitz Commandant Rudolf Höss lived in with his family – ‘House 88’.

Image Credit: History Hit

The fragility of justice

Following the war, Höss was captured by a British War Crimes Investigation Team. He was tried and hanged in 1947 on a gallows constructed just steps from the Auschwitz crematorium.

Historian and author Thomas Harding (whose Great Uncle arrested Höss) notes, however, that Höss was the exception. While the 1945 Belsen trials confronted 45 staff members, the Holocaust required the active participation of tens of thousands. Only a tiny fraction were ever held accountable.

‘Auschwitz: The Evolution of Terror’ is a ground-level examination of how bureaucracy, engineering, and human choice created a nightmare. It forces us to confront the fact that these were not monsters from another world, but real people who made systematic choices to commit the unthinkable.

Watch Auschwitz: The Evolution of Terror now, exclusively on History Hit.

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What followed was the most radical political experiment in British history. The House of Lords was abolished, the monarchy swept away, and the British Isles were declared a republic. Yet, within just 11 years, the monarchy was restored with exuberant celebration.

In a special panel edition of Not Just The Tudors…Lates – Why the English Revolution Failed, Professor Suzannah Lipscomb sits down with leading historians Dr Jonathan Healey, Dr Miranda Malins, and Professor Ronald Hutton to unpick the decade of the “Interregnum.” Together, they ask: was the English Republic doomed from the start, or was it a missed opportunity that changed the world?

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A republic born of a coup

The panel begins by addressing how unlike modern revolutions driven by popular uprisings, England’s republic was established via a military coup d’état.

“The execution of King Charles I wasn’t what the majority of Parliamentarians wanted,” explains Dr Miranda Malins. “There was no plan to wheel out in January 1649. The regime was a hasty fudge that spent the next decade desperately trying to retrospectively legitimise itself.”

Professor Ronald Hutton adds that the British public never quite forgave the Republic for its origins. To maintain power, the regime required a standing army, which meant heavy taxes. The people were effectively being asked to pay for a military force to prop up a government they didn’t ask for – creating a recipe for instability.

The tyranny of the “free state”

The republic was justified through providence – the idea that God had granted the New Model Army victory – and the sovereignty of the people. However, the leadership never actually trusted the people.

“The tension at the heart of the republic,” says Hutton,“is that its establishment is justified in terms of the will and sovereignty of the people but at no point do those in charge feel able to trust the people to validate their power”. This was not a modern democracy; the franchise was restricted, and the government quickly turned on its most radical supporters, such as the Levellers, who called for genuine legal equality and religious freedom.

By removing the King but leaving the social order (and the wealth of the gentry) intact, the Republic failed to provide the infrastructure for a truly new kind of politics.

Production shots from filming

Image Credit: History Hit

An imperial project: conquering the archipelago

One of the most significant – and brutal – achievements of the Republic was the forced unification of the British Isles.

“In 1649, the English unilaterally decided to kill a British monarch,” says Malins, setting off a chain reaction across Ireland and Scotland. Under Oliver Cromwell, the Republic embarked on a “metropole” project, imposing English republicanism at the point of a sword.

The campaign in Ireland was particularly devastating, resulting in the loss of an estimated 20% of the population according to Jonathan. Professor Hutton argues that the trauma of this period established a Protestant supremacy that would define Irish history until the 20th century. “In many ways, from the Irish point of view, the damage is still there,” he remarks. “The bloodshed in my lifetime can be traced directly to those events.”

The rise and fall of the Protector

By 1653, the experiment shifted. Frustrated by a stagnant Parliament, Cromwell famously cleared the house by force on 20 April, eventually becoming Lord Protector of the Commonwealth of England, Scotland, and Ireland on 16 December 1653. 

Was this a return to monarchy in all but name? Jonathan points out that for a lot of people there was an irony as because the Protectorship was unprecedented, that for them meant that the power of the Protector was potentially unlimited. 

Yet Miranda Malins suggests that while Cromwell acted like a monarch – issuing over 80 ordinances in his first few months – he was trapped. The regime reforms were “not radical enough for the radicals, it’s too monarchical, but equally it’s not legitimately monarchical and royal enough for the royalists, and so he can’t really please anybody”. 

When Cromwell died in September 1658, the lack of a clear succession plan proved fatal. His son, Richard Cromwell, was a “country gentleman” who lacked his father’s military clout. Without Oliver’s ability to balance the competing factions of the army and Parliament, the house of cards collapsed into chaos, with Charles II the beneficiary of this.

Oliver Cromwell by Samuel Cooper

Image Credit: After Samuel Cooper, Public domain, via Wikimedia Commons

Failure or “unfinished business”?

If the Republic lasted only 11 years, can we call it a success?

Jonathan Healey jokes that it “did alright to last as long as it did,” but the panel agrees the legacy is profound. The Interregnum prevented a “healing” that might have occurred under a more conservative settlement, allowing a diversity of Protestant opinion to flourish that could never again be suppressed.

“We’ve been, in many ways, a two-party system ever since,” Hutton observes, “where Cavalier and Roundhead turned into Whig and Tory” and down through the centuries. The dynamic of ‘stabilised disagreement’ that defines British politics today was born in this short-lived republic, he argues.

So why is this period often ignored in our national story? The panel suggests a ‘state-sponsored amnesia’ began with Charles II, who promised a general amnesty and encouraged people to forget previous conflicts, and made it illegal to threaten the King’s life or to advocate for the return of a republic. We prefer the neat narrative of kings and queens over the “back alley” of a failed commonwealth.

As Ronald Hutton concludes, the republic was not ultimately a failure because “it’s a prelude to the victory of democracy and toleration in the 1680s, and everything that is good about us follows from that …the republic is not so much a failure as unfinished business.”

Hear the full, unedited debate between these world-class historians on Not Just The Tudors…Lates: Why the English Revolution Failed on History Hit.

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Join Natalie as she reveals how this myth gave birth to the ancient world’s most profound and secretive religious tradition: the Eleusinian Mysteries. Tracing the path of ancient initiates from Athens to Eleusis, Natalie examines rare fragments like the ‘Great Eleusinian Relief’ and the ‘Ninnion Tablet’ to uncover the only surviving visual clues to these top-secret rituals. She explores why thousands of pilgrims flocked to Eleusis for centuries, and how this visceral tale of maternal fury and restorative love has inspired two and a half millennia of art. 

A mother’s strike

Greece has always been a land of harsh agricultural reality. In the ancient world, if the land failed, death followed swiftly. When Demeter, the goddess of the harvest, abandoned Mount Olympus in grief over her daughter’s abduction, the world withered.

Natalie explains that Demeter’s fury was a cosmic strike, refusing to let the earth be fertile until Persephone was returned. This forced the hand of Zeus, who intervened not out of compassion, but because the mortals had stopped sending sacrifices – there were simply no crops to offer the gods.

The pomegranate trap

In the myth, Zeus sent Hermes to the Underworld to retrieve Persephone, but Hades, the possessive and cunning King of the Dead, was prepared – freedom would come at a price. He offered Persephone a parting gift: a handful of pomegranate seeds.

In the ancient logic of the Underworld, eating the food of the dead binds you to that realm forever. This was no romantic gesture; in the oldest versions of the Homeric Hymn, Persephone is trapped by a “trap wrapped in sweetness.” 

Persephone was returned to her mother in an ecstatic homecoming. Interestingly, Natalie points out how although the Homeric Hymn was written in patriarchal times, the poet still knew the depth and value of the female bond between mother and daughter. However, their joy was cut short when Demeter realised Persephone had eaten while in the Underworld. 

Zeus, keen to restore the flow of mortal offerings, brokered a dodgy deal: Persephone would spend one-third of the year with Hades and two-thirds of each year above ground with her mother. This “dark compromise” created the seasons: the winter of Demeter’s mourning and the spring of her daughter’s return.

Interestingly, Natalie explains how “this is one of the few times in all of Greek mythology that a god or goddess stands their ground against Zeus, king of the gods, and wins – at least a partial victory”.

Hermes delivers the message to Persephone and Hades

Image Credit: History Hit

The Eleusinian Mysteries

The myth explains how in gratitude to the people of Eleusis who sheltered her during her grief, Demeter gifted them sacred rites. These became the Eleusinian Mysteries, a phenomenon that lasted for over a millennium, promising immense spiritual wealth.

The story of Demeter’s gift grew into a phenomenon of the ancient world, with evidence as far back as the 7th century BC of people gathering in Athens to process to Eleusis. Thousands flocked to Eleusis each year. Anyone – regardless of class, age or gender – could take part, provided they hadn’t committed murder – from common servants to philosophers such as Plato, orators like Cicero, and even Roman Emperors like Hadrian and Augustus. 

The appeal was simple but revolutionary: the Mysteries offered hope. While most Greeks viewed the afterlife as a dreary existence as a powerless “shade,” initiates were promised a better fate.

Tantalising clues: the archaeology of a secret

Because the rites were protected by a vow of silence – punishable by execution – nothing was ever written down. Natalie visits the National Archaeological Museum in Athens to speak with Dr Tulsi Parikh, an expert on the archaeology of Ancient Greek religion, and piece together the rituals from “tiny, tiny fragments” of evidence that have survived – noting how remarkable it is “how much we can still uncover from so little”.

• The Great Eleusinian Relief: A 5th-century marble masterpiece showing Demeter handing sheaves of wheat to Triptolemus, teaching humankind the art of agriculture. He is also pictured with a winged, serpent-entwined chariot,  gifted so he could spread agricultural knowledge across the globe.
• The Ninnion Tablet: The only known visual representation of the rituals. It depicts initiates with lit torches and wreaths walking toward the goddesses, suggesting the ceremony’s climax took place in the dead of night.

Dr Tulsi Parikh and Natalie Haynes standing by The Great Eleusinian Relief

Image Credit: History Hit

Ritual purification and hallucinogens?

Natalie follows the 13-mile ‘Sacred Way’ from the Acropolis to Eleusis for the 9 day celebration. Archaeologist Professor Rebecca Sweetman explains the visceral nature of the purification: initiates would carry animals (usually piglets) into the sea to wash them before a massive sacrifice.

After reaching the sanctuary at Eleusis (surrounded by symbols and performances to remind them of the myth), the climax occurred in the Telesterion, the “holiest of holies.” Inside this auditorium, the deepest secrets were revealed. Rebecca shares a fascinating theory: given the massive grain silos nearby, initiates may have been given kykeon – a grain-based drink that potentially contained ergot (mouldy grain). This would have provided a potent hallucinogenic effect, ensuring the “mind-blowing” spiritual experience that kept pilgrims returning for centuries.

Sanctuary of Demeter at Eleusis

Image Credit: History Hit

A legacy of maternal fury

The power of this myth lies in its rare focus on female emotion in what was a patriarchal Greece. Natalie examines how this “maternal fury” has inspired two and a half millennia of art, from 4th-century BC frescos to the modern musical Hadestown.

In the Broadway hit, Persephone is reimagined as a darker queen, a modern woman yearning for the surface, while Hades remains the manipulative schemer of the ancient sources.

The unbreakable bond

Finally, Natalie views the ‘Demeter of Knidos’, a breathtaking statue capturing the goddess’s patient, serene expression – a reminder that Demeter is a goddess who will wait as long as it takes to get what she wants.

Natalie concludes by reflecting how “The ultimate victory of the myth is that maternal devotion proved to be the single unbreakable force in the Greek cosmos”. The bond between mother and daughter was a source of both destructive fury and creative, restorative love – a power that forced even the King of the Gods to compromise.

Watch the series conclusion of Divine Fury: Demeter and Persephone – The Mystery on History Hit to see Natalie Haynes delves into the dark compromise that resolved the myth of Demeter and Persephone.

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By 930 AD, the initial “Age of Settlement” had ended, and the true test began: the “Age of Survival“, a period defined by the need for order, domestic ingenuity, and the power of the spoken word.

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Law on the edge of the world

As Iceland’s population swelled, the need for order became paramount. Dan’s journey begins at Þingvellir, the breathtaking Mid-Atlantic rift where the North American and Eurasian tectonic plates pull apart at a rate of 2.5cm every year. 

It was atop this literal scar in the earth that the Vikings established the Althing, the world’s oldest surviving national parliament. In 930AD, in a land of extremes without a king, these pioneers chose to “thrash out” a legal code peacefully, proving that survival was as much about communal structure as it was about physical grit.  While much of Europe was governed by the whim of monarchs, the Icelanders were practicing a raw, tectonic form of democracy.

Production shot at at Þingvellir, the site of the Viking Althing.

Image Credit: History Hit

The Sagas: storytelling as a survival strategy

Yet, law alone couldn’t get a family through a brutal Arctic winter. Survival required a social fabric to match the stockpiled grain: stories. From supernatural tales of witches and ghosts to the legendary Icelandic Sagas, these narratives – later collated by figures like the 13th-century scholar Snorri Sturluson – became the island’s cultural glue. 

These epic tales cover everything from bloody revenge to the crushing weight of loneliness, providing hope, entertainment, and a moral and historical anchor for a people on the fringe of the known world. Today, these sagas remain the blueprint for modern fantasy, inspiring everything from J.R.R. Tolkien’s Middle-earth to the Marvel Cinematic Universe.

Original book making up part of the Icelandic Sagas

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Viking “vanity”?

Whilst we often imagine the Vikings as “stinky, uncontrolled louts,” the archaeological record tells a different story. In reality, the Norse were far more meticulous about their appearance than the Christian chroniclers they despoiled gave them credit for.

Dan explores one of the most commonly found Viking-age artefacts: the bone comb. Far from being dishevelled, Viking men were famously well-groomed. The 12th-century English chronicler John of Wallingford noted that the Vikings caused “much trouble to the natives” of England because they combed their hair daily, bathed every Saturday, and changed their garments often. 

Dan Snow with a replica of a Viking bone comb (replica made from plastic)

Image Credit: History Hit

“The reputation for being filthy likely comes from their enemies – Christian priests,” Dan explains, whose monasteries the Vikings despoiled. “They painted the Vikings as dishevelled on the outside to reflect an ‘evil, pagan soul’ within.” 

In Iceland, this cleanliness was bolstered by the island’s geology; the Vikings harnessed natural hot springs for bathing and cleaning clothes – a tradition Dan experiences firsthand with a dip in a remote volcanic spring.

Production shot of Dan Snow at an Icelandic thermal stream

Image Credit: History Hit

The reality of violence

While the Sagas are filled with blood feuds, Dan investigates whether the Icelandic Vikings were actually more peaceful than their European neighbours. Speaking with Dr Joe Wallace Walser III at the Museum of Iceland, Dan handles a genuine Viking skull and notes a surprising lack of swords.

“We see more axe heads and spears,” Joe explains. “Axes were multi-functional tools for farmers and fishermen.” The evidence suggests that most settlers were looking for opportunity rather than a constant battle.

Large-scale warfare is rare in the early Icelandic record; instead, we see a life of hard work and interpersonal disputes settled at the Althing. The Sagas’ massive battles were likely “colourful” exaggerations or memories of a more violent life left behind in Scandinavia.

Dan Snow speaks to Dr Joe Wallace Walser III at the Museum of Iceland and sees a real Viking skull

Image Credit: History Hit

The invisible backbone: the role of women

Dan speaks to historian Dr Kate Lister to uncover the vital, often overlooked role of women. “Without the women, there is no Viking Age at all,” Kate notes. As men spent long periods away, women were the primary keepers of the homestead, with the Sagas even describing powerful matriarchs leading settlement charges from the Hebrides to Iceland. 

While their roles were primarily domestic – weaving, sewing, cooking and managing the homestead – they were the ultimate managers of the Viking economy and the educators of the next generation.

A genetic mystery

Research into early Icelandic DNA has revealed a surprising truth: up to half of the female (mitochondrial) DNA in the earliest settlements came from the British Isles. This suggests that as the Norse travelled toward Iceland, they “picked up” women from the UK. Whether these unions were consensual or the result of Viking slavery or their use of a system of concubinage remains one of history’s “unknowable questions,” says Kate, though evidence suggests a complex mix of both.

Dan has a go at combing wool as the Viking women would have done, with Viking expert expert Bjarnheidur Jóhannsdóttir

Image Credit: History Hit

The endless labour of survival

To understand the sheer scale of the work performed by women, Dan visits a replica longhouse 90km from Reykjavik. He speaks to expert Bjarnheidur Jóhannsdóttir, who explains how survival in the harsh environment meant no one was ever idle. A staggering amount of work was required, which also helped them to stay warm. Even during the dark winters, often while reciting the Sagas, hands were busy whittling or braiding in the low light.

Combing wool was a massive, time-consuming process. Bjarnheidur explains that a single 80-square-metre sail for a longship could take up to three years to weave, making it as expensive as the ship itself. The sail – the very symbol of Viking expansion – was a testament to the patient, persistent labour of the women left behind.

Dr Kate Lister and Dan Snow in Iceland with Laura and Annie from History Hit’s production team

As women combed wool and men braved the North Atlantic, they shared the stories that would eventually include the Saga of Erik the Red and the Vinland Sagas. At the Árni Magnússon Institute, Dan and curator Gisli Sigurðsson discuss this adventurous dynasty, including Leif Erikson, the first European to set foot in North America.

The recording of these stories was the beginning of our global fascination with Viking culture. From sophisticated grooming to the indomitable strength of the women who ran their world, the story of Icelandic survival is a testament to human resilience.

Watch Icelandic Vikings: Survival now, or catch-up with Episode 1, Icelandic Vikings: Arrival

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A new year is a blank page in the history books, and we’re ready to fill it. We have a packed slate of original programming coming up in 2026. Here’s a sneak preview of what you can expect – we can’t wait to share it with you:

Meanwhile, why not snuggle up on the sofa, finish off that selection box, and binge-watch some of our carefully chosen documentaries to help ease you into the new year while learning something new:

Catch up on our full 2025 on History Hit collection now.

In History Hit’s new documentary, Divine Fury: Demeter and Persephone – How a Mother’s Love Made the Seasons, acclaimed classicist Natalie Haynes explores the enduring legacy of this ancient tale – one of the Greeks’ most powerful and enduring myths. It is a story of love, loss, rage, and transformation that brought the mortal world to the brink of ruin and, ultimately, gave the Greeks an explanation for the very rhythm of the seasons.

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The Abduction

Episode 1: ‘Abduction’ sees the start of the story – and a kidnapping. Hades, the dark Lord of the Underworld, emerged from the earth to snatch the young goddess Persephone while she was gathering flowers. It was an act of divine sanctioned theft; Persephone’s own father, Zeus, had secretly given Hades permission to take her as his bride.

However, Hades made a catastrophic error: he forgot about Persephone’s mother, Demeter. As the goddess of agriculture and the Earth’s fertility, Demeter was one of the most powerful Olympian deities. When her daughter vanished, her grief quickly curdled into a terrifying fury.

Natalie Haynes explains that for the ancient Greeks, this wasn’t just a bedtime story; it mirrored the traumatic reality of marriage customs, where young girls (often only 14 years old) were abruptly removed from their families to live as strangers in a new home. She talks to classicist Dr Daisy Dunn to explore what marriage meant for women in ancient Greece, and how the story of Persephone helped girls prepare for this transition. 

Dr Daisy Dunn shows Natalie Haynes some ancient artefacts depicting Persephone on the eve of her marriage

Image Credit: History Hit

Tracing the “Homeric Hymn”

To unravel the layers of this myth, Natalie turns to a miraculous survival of ancient literature: the Homeric Hymn to Demeter – investigating how this myth mirrored the lives of people in Ancient Greece. Lost for centuries, a manuscript of the poem was famously rediscovered in a Russian farmhouse in 1777. Though written down in the 7th or 6th centuries BC, the hymn preserves an even older oral tradition.

Natalie’s journey takes her from the British Museum to the National Archaeological Museum of Athens, where she examines the dual nature of these goddesses. Demeter is depicted as a figure of maternal tenderness but also of world-ending power. Meanwhile, Persephone evolves from Kore (the innocent girl) to the “Red Queen,” the formidable and dreaded co-ruler of the Underworld.

History Hit crew filming in Athens

The desolation of the earth

As Demeter searched for her daughter, she refused to eat, wash, or return to Mount Olympus. She wandered the earth in the guise of an old woman, eventually finding rest at the Kallichoron well in Eleusis.

Natalie visits the ruins of the sanctuary at Eleusis, where myth and reality coincide. It was here that Demeter was welcomed into the home of King Celeus. However, because she was in mourning, she rejected the finest hospitality, only finding a brief moment of respite when a servant named Iambe coaxed a laugh from her with audacious jokes.

But Demeter’s sorrow could not be contained by mortal kindness. In her rage, she made the “all-nourishing land” barren. For a civilisation where 4 out of 5 people were farmers, this was a story that played into their deepest fears. Crops withered, sheep perished, and the human race faced extinction. Crucially for the gods, the smoke of animal sacrifices stopped rising to Olympus. It was this – the hunger of the gods – that finally forced Zeus to intervene.

History Hit filming on the River Acheron

The descent to the ‘River of Woe’

To understand Persephone’s imprisonment, Natalie travels to the rugged mountains of Epirus and the River Acheron, one of the mythical rivers of the Underworld, known to the ancients as the “River of Woe.” Legend says the ferryman Charon transported souls across these waters to Hades’ realm.

Natalie Haynes and some of the History Hit production crew on the River Acheron

Natalie explores the Necromanteion of Acheron, a site where the living once spoke to the dead. Accompanied by expert Dr Tobias Myers, she descends into underground chambers where ancient pilgrims may have used hallucinogens and blood sacrifices to communicate with the spirits below.

“For the Greeks,” Natalie notes, “myth was simply history that happened long ago.” The geography of the underworld wasn’t abstract; it was mapped onto real-world spots like these dark, vaulted ruins.

Production shot of Dr. Tobias Myers talking to Natalie Haynes about the Necromanteion of Acheron

Image Credit: History Hit

The great mystery remains

Persephone remained languishing in the dark, but the earth could not survive without Demeter’s favour. Is Persephone doomed to spend eternity in the shadows, or can a mother’s love force the gates of hell to open?

The dramatic conclusion of the myth – and the birth of the Eleusinian Mysteries, the most secret and sacred religious rites of the ancient world – awaits in the next chapter of our journey.

Episode 1: ‘Abduction’ is available now. Episode 2: ‘The Mystery’ will be released on 15 January 2026.

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There are far too many wonderful people we’ve worked with, places we’ve been and fascinating facts we’ve uncovered to mention, but here are some of our 2025 highlights:

Global exploration

In a landmark expedition, Dan Snow and team headed to war-torn Libya, becoming the first history documentary crew in 15 years to film at the breathtaking ruins of Cyrene. Once a jewel of the Greek and Roman worlds, this site offered us an unprecedented look at ancient Mediterranean civilisation.

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Closer to home, the team plunged into the depths of maritime history with the discovery of new remains from HMS Northumberland, a ship of the line lost in the Great Storm of 1703.

Meanwhile, our “land of fire and ice” takeover saw the production of three documentaries in Iceland, a YouTube video and a podcast episode, exploring everything from the first Viking arrivals to the staggering geological forces that shaped Norse mythology.

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Our journey through time didn’t stop there. We traversed the Great Wall of China to unpack the engineering of empires and returned to the birth of the United States with our American Revolutions series. We also leaned into the history of the people, exploring the fascinating and often visceral world of Body Modification through the ages, and re-examining the tragic, controversial reign of Edward II.

Catch up on a year of original history documentaries with Dan Snow, Suzannah Lipscomb and more here in our 2025 on History Hit collection.

An award-winning team

None of this would be possible without the passion of our audience and the dedication of our crew. We were incredibly honoured to be named Best Factual Channel at the Broadcast Digital Awards this year. This recognition is a wonderful testament to our hardworking team – from the researchers and archaeologists to presenters like Dan Snow and Suzannah Lipscomb – who strive to make history accessible, accurate, and thrilling.

And of course a huge thank you to you, our subscribers, for being a part of our winning journey.

History Hit won Best Factual Channel at the prestigious Broadcast Digital Awards 2025

Image Credit: History Hit

Looking ahead: what’s next in 2026?

As we look toward 2026, we have a packed slate of original programming, including the highly anticipated Divine Fury: Demeter and Persephone and more deep-dives into the “hidden” histories of the world’s most famous cities. Here’s to a fantastic 2026 – and here’s a sneak preview of what you can expect, we can’t wait to share it with you:

Ready to dive back in? Catch up on our full 2025 on History Hit collection now.

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